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LANDSCAPES - In the Shepherd’s Pass series I wanted to move into expressing more of a post-impressionist mode by deconstructing with lyricism, while not fracturing in hard edges; so as to work more organically and fluid both consciously and unconsciously. Each one is an illuminated memory of my plein air experience of the light and atmosphere, in addition to sharing that with my students the food, wine, and culture of Italy and France.

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